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8 January 1836 – 25 June 1912. Most renowned painters.

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Ilia Efimovich Repin
Greinke in the creation of opera

ID: 57613

Ilia Efimovich Repin Greinke in the creation of opera
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Ilia Efimovich Repin Greinke in the creation of opera


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Ilia Efimovich Repin

impression artist Russian, 1844?C1930  Related Paintings of Ilia Efimovich Repin :. | Held on to the back of the woman | Self-portrait | Kursk province of the summer | Pakistan do not reach Nourse the Qiefu portrait | La snow is next to the tomb in memory of workers will |
Related Artists:
Sebastien Bourdon
(2 February 1616 - 8 May 1671) was a French painter and engraver. His chef d'œuvre is The Crucifixion of St. Peter made for the church of Notre Dame. The Finding of Moses, c. 1650 (National Gallery of Art, Washington)Bourdon was born in Montpellier, France, the son of a Protestant painter on glass. He was apprenticed to a painter in Paris. In spite of his poverty he managed to get to Rome in 1636; there he studied the paintings of Nicolas Poussin, Claude Lorrain and Caravaggio among his eclectic selection of models, until he was forced to flee in 1638, to escape denunciation by the Inquisition for his Protestant faith. Bourdon's facility rendered him adept at portraiture, whether in a dashing Rubens manner or in intimate, sympathetic bust-length or half-length portraits isolated against plain backgrounds that set a formula for middle-class portraiture for the rest of the century, landscapes in the manner of Gaspar Dughet or cappricci of ruins, mythological "history painting" like other members of Poussin's circle or the genre subjects of the Dutch Bamboccianti who were working in Rome. His eclectic range of styles have given art historians exercise in tracing his adaptation of his models, while the lack of an immediately recognizable "Bourdon style" has somewhat dampened public appreciation. In 1652 Christina of Sweden made him her first court painter. Bourdon spent most of his working career outside France, where, though he was a founding member of the Academie de peinture et de sculpture (1648), he was for long largely dismissed as a pasticheur, a situation partly rebalanced by a comprehensive exhibition in 2000 of his work at the Musee Fabre, where the collection includes a fine Lamentation painted in the last years of his life. His success required the establishment of an extensive atelier, where, among his other pupils worked Nicolas-Pierre Loir and Pierre Mosnier. He died in Paris in 1671.
Willem van Bemmel
(Utrecht 10 June 1630 - Nuremberg 20 December 1708), was a Dutch Golden Age painter active in Germany. Van Bemmel was a student of Herman Saftleven in Utrecht. He made a Grand Tour to Rome, spending first the years 1647-9 in Venice where he became famous for his landscapes. He stayed in Rome for six years and was a member of the Bentvueghels. From Rome he crossed the Alps to Nuremberg, where he became a successful painter of Italianate landscapes. In 1656 he moved to Kassel. He was the father of the German Von Bemmel painting family.
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